adobe premiere pro 2021 video editing for beginners

#Adobe premiere pro 2021 video editing for beginners professional#

With all of the audio organized and grouped, make a close inspection of all of your dialogue. There’s one more step before we can move on to creative mixing. I realize this clean-up process may seem tedious, but I promise the grouping and subgrouping will pay dividends down the road, especially on long-form content. Using this pattern can make the tiresome task of creating music cue sheets a little less painful. Moving to music, there’s not much to do after the music cues are separated from the dialogue and sound effects, but you might also consider checkerboarding the music cues across your timeline.

Then have separate tracks for foley work, ambiances, and any nat (short for natural) sound that may have come from production. Keep production elements, like whooshes, hits, and risers on their own tracks. With the dialogue looking pretty, follow a similar process with sound effects, keeping them on dedicated sound effect tracks. This is helpful because the sound of their voice and ambiance around it, like room tone, can vary by where they’re recorded. If a speaker changes location-from indoors to outdoors, for example-group the inside and outside audio clips onto different tracks. When grouping the dialogue, create a separate audio track for each speaker. Consider adding locked tracks to distinguish between audio groups.ĭigging deeper, it’s helpful to add some more organization within each of these groups. You may even find it helpful to add locked tracks between each group to easily distinguish the groups visually. Personally, I keep my dialogue at the top of the tracks, effects below that, and music as the bed underneath. Start by splitting your timeline’s audio clips into groups, like dialogue, music, and effects. When it comes time for a good audio mix though, that cluttered sequence of clips needs some structure. Don’t get me wrong, when grinding out an edit on a deadline a messy timeline isn’t uncommon.

Get organizedīefore any real progress can be made in the mix, you’re going to need to get organized.ĭepending on your style of editing this may be an easy task or it could take some time. So today we’re taking look at some basic audio mixing skills that every Premiere Pro editor should know.

And that can go a long way toward impressing a client and earning their trust. In DAWs or NLEs, the audio mixing process can get very complex, very quickly.īut understanding some of the basic techniques and principles can help you add clarity to dialogue, and a bit of extra punch to music and sound effects.

#Adobe premiere pro 2021 video editing for beginners professional#

But if you’re an editor without the resources for a professional mix, getting the final audio the way you like can be daunting. It’s one of the many reasons why audio pros are so heavily involved in the post-production finishing process. Film visuals are like restaurant food: the chef gets all the praise while the rest of the back-of-house toils away unseen.īut just as the best meal will go uneaten if it’s served on a dirty plate, your project will go to waste if you serve it on a grubby audio bed ( Tenet anyone?)Ī proper audio mix is essential to delivering high-quality video.